WEEKLY SOUTHERN ARTS
"Sometime the boogaloo 
  • Home
  • Guns, Faith and Murder
  • The Million Dollar Store
  • Artistic Con-cepts
  • Judy Garland - "Soul Singer"
  • Robert & Jimi and the Twenty Seven Blues
  • The Great Pretenders
  • Imagine
  • Me and Junior Parker
  • The Republican
  • Sweet Home Chicago (The Obama Shakedown)
  • The Ballad of Hunter & Joe
  • The 22-yr-old Bottle Blonde
  • Is It Alright...To Be White?
  • Resist the Devil and He Will Flea
  • Music & Reminiscence
  • Lowell George searching for authenticity
  • A Telling Lie
  • Part One: The Monster Is Summoned
  • Like Billy Eckstein Singing to an Empty Club at 1:00 AM on a Saturday Night in 1975.
  • Bent
  • Kelly Joe Phelps
  • Why The Devil Don't Come Around No More
  • Hearing Junior Wells “On Tap'' one more Time
  • Muddy and Me
  • American Youth: The Rise of The New Media
  • Rosencrantz and Guildenstern Talk About Slavery and Shit
  • Just Smoke
  • The Big Maybe
  • The Skinny
  • Florida in Images and More Images
  • "Muthafuckin' Chains!"
  • The Inner Man
  • This is Not a Political Article
  • A Tale of Wine and Murder
  • Jesus Was a Sly Dog
  • The Existential Croûton
  • The Prison Yard Blues
  • Conspiracy Theory
  • 4 More Poems, 4 More Pictures
  • "Are You Freaking People Insane?"
  • 4 Pictures 4 Poems
  • The Ballad of Carlos Slim
  • Pretending What's in Your Head is True
  • The Cognitive Dissonance of a Faithful Democrat
  • The Human Snakepit
  • George Freeman - Unsung Master of the Jazz Guitar
  • The Price of Milk
  • Suspicious Minds
  • Bill O'Reilly Sexual Predator?
  • The New Soldier
  • Orwell Revisited
  • Larry Coryell - The Godfather is Dead
  • A Tiger Beat
  • South Florida - HOT & COOL
  • Jean Paul Sartre & the Existentialist Mojo
  • Culture Matters, Immigration Matters, Sharks Matter
  • Thomas Sowell
  • A Tree Falls In Central Park on a Gay Banker
  • Black Codes From The Underground
  • Man Talk, with Donald Trump pt. 1
  • Man Talk, with Donald Trump pt. 2
  • Brexit Was the Shot Heard Around the World
  • I Love The Dead
  • The Game
  • Goodbye Scotty Moore
  • If a Bluebird Plays the Blues Why Can't it Play Free Jazz
  • When David Slew Goliath
  • Why Cream still Matters 50 Years Later
  • Goodbye Lonnie Mack
  • Black Lies Matter, All Lies Matter
  • The Folly of Foibles
  • The Life of an Imaginary Historian
  • Angel: part 7
  • Wayne Cochran "Going Back to Miami"
  • The Last Damned Healthcare Article You'll Ever Need
  • The Gospel According to Mark
  • Angel: part VI
  • Ted Bundy & The Hunt For The Devil
  • Charlie & Clint: Dead & Deader
  • Trayvon & George : An American Hate Story
  • Jury Duty
  • Little Tommy & The Blues Kings
  • Kayaking "The Big Cypress" with Crocodlies
  • The Birth of The Jazz Guitarist
  • Gay Marriage
  • Garage Band - The 1960's
  • King Arthur, Pelagius and Original Sin
  • The Story of Ricky
  • Hidden Miami
  • I Hate the 60's: A Personal Rock Odyssey
  • Crocodiles and Alligators in Florida: Monsters in our Backyard
  • The Legend of Robert Pete Williams
  • Saturday Night At Big Tinys
  • The Case Of The Infinite Monkeys
  • The American Heritage Series
  • The Moon Is a Harsh Mistress
  • Blue And Green

Weekly Southern Media Presents Tom, Jerry, Eddie & Sydney


Sidney Bechet (1886 - 1952) was among the most gifted and mercurial of the early jazz pioneers.  He recorded before Louis Armstrong by a few months and his wide vibrato and beautiful phrasing on Clarinet and Saxophone made him a model for a diverse range of players, including Johnny Hodges and Benny Goodman. Bechet was inducted into Downbeat's jazz hall of fame in 1968 and is regarded as a central figure in the history of 20th Century music.
As jazz evolved from Dixieland into Swing the guitar took the place of the banjo as the rhythm instrument of choice.  Most guitarists, however, were relegated to the role of comping chords behind the soloist and were kept in the background.  Two guitarists changed that forever.  They were Lonnie Johnson and Eddie Lang.  Eddie Lang (Oct. 25, 1902 - March 26, 1933) was more than a background player, he was jazz guitar's first great virtuoso. He was also Bing Crosby's primary accompanist in the early days of Derbingle's reign as the preeminent crooner of the day. Lang, along with Joe Venuti, formed a guitar-violin duo that became the model for Django Rheinhardt and Stephan Grappelli.  He is also created the first interracial guitar duo with Lonnie Johnson, performing under the pseudonym of Blind Willie Dunn in order to work around the racial segregation of the time.
Since we already featured Jerry in a previous installment of WSA we thought it only fitting to continue with some more of his one-of-a-kind talent.  Here, the master pays homage to the genius of soul, Mr. Ray Charles, with "Hallelujah I love her so" from 1969!
It seemed reasonable to keep Tom and Jerry together for one more gig, even though they aren't really playing together in this video.  This was from a performance of a few years ago for the "Tiny desk concerts" put on by public radio in their studio.  Sir Tom performing with only guitar accompaniment, that big muscular voice in full throttle, filling the room in a way that he and very few other singers ever could.  On guitar is Brian Monroney, his musical director, showing how to sound like a band all by his lonesome!