WEEKLY SOUTHERN ARTS
"Sometime the boogaloo 
  • Home
  • From The Publishers
  • Summer 1970 - Fishing with Alligators
  • The Fire-Starters
  • Jimi Hendrix Was The Roy Buchanan of Rock & Roll & Other Rural American Stories
  • Real Genius
  • Guns, Faith and Murder
  • A Blue World
  • Nova Explains
  • Satan's Jr. High
  • The Million Dollar Store
  • The People Who care
  • Jesus and The Red Words
  • Sniffing Out White Supremacy
  • Artistic Con-cepts
  • “The Word From The Streets”
  • A Voice from the Crowd
  • How a White-man Became a Black-man In Order To Find His Whiteness—His Alright-ness.
  • Camille Bertault: 2 Views of a Secret
  • Judy Garland - "Soul Singer"
  • Robert & Jimi and the Twenty Seven Blues
  • The Last Vestiges of Mueller’s Collusion Case Just Died...and Nobody Noticed
  • The Great Pretenders
  • Imagine
  • Me and Junior Parker
  • The Republican
  • "Kill The Pigs!!!"
  • "Another of Trump's Henchmen Falls!!!"
  • Saving ISIS, Killing America
  • Cyrus The Great Strikes Again
  • The Big Lie - "Fear Russia Love China"
  • “The Russians are Coming!” (again)
  • "Impeach This!"
  • “Trump Backs Turkey Down”
  • Congressman Elijah Cummings Died last night at the age of 68.
  • Sweet Home Chicago (The Obama Shakedown)
  • Blind as a Bat
  • "I cannot Tell a Lie"
  • If Only Obama Was Still President, Syria Would Be Swell
  • Impeachment Fever
  • The Ballad of Hunter & Joe
  • "God Will Do It!"
  • Jeffrey Epstein & The Mysterious Case of The Infinite Pedophile Monkeys
  • The World is Insane: pt 4095 - “What is Less Than Zero?”
  • The Magic Bullet and The Lonely Death of Jeffrey Epstein
  • The Facts about Illegal Immigration
  • Chicago
  • Liz Warren Hits The Road
  • Traitors & Lies
  • “If The World Was Fair”
  • "The Few, The proud, The Insane: The Democrats"
  • "GOD & UNCLE SAM"
  • A Minor Complaint
  • Murder in The Meantime
  • The 22-yr-old Bottle Blonde
  • “Jerry “The Toad” & other Sesame Street Lessons”
  • "Riffing in Tongues"
  • The Man Who Shot Liberty Valence Revisited
  • The Few The Brave The FBI
  • Jesus and Liz Warren Want to Forgive You
  • The Witch Hunt Ends? Not Even Close.
  • Divine Guidance
  • The Crocodile & The Politician
  • Uncle Joe Apologizes
  • Why I Hate, Hate Crimes
  • It's Only a Matter of Time
  • Let It Rain
  • Dumb & Dumber
  • ....of Poets & Scientists
  • Goodbye Pork-Fried Rat
  • Hearing Duane Eddy
  • Is It Alright...To Be White?
  • "Hell is Real!!!"
  • Mauled by Reality
  • The Cult of The Secret Unknowing Marxist
  • Resist the Devil and He Will Flea
  • The Unwitting Socialist
  • Personal Stories
  • The Magula Report 2019
  • "The New Blood & The New Deal"
  • “The Wall"....and other, mostly silly conversations.
  • The War for the Soul of Mankind: “Stan Getz vs Eric Dolphy”
  • The "Others"
  • White Cracker-Ass Niggas
  • New York Gives The Thumbs Up To Mass Genocide
  • Rudy & Nat
  • A Close Shave With The Well-Intended Bigot
  • This is What Happens When My Favorite Band “The Mellow Herb” Comes To Town
  • The Hemispherical Brain Activity of a Wayward Somnambulist
  • Gun "Race With The Devil"
  • “Half Of All Millennials Think Barack Obama is More Important Than George Washington!!??”
  • "The Dow Posts The Biggest One Day Gain In History."
  • Good Morning Comrades
  • Sharks, Zombies & God
  • A Road Home
  • You're Getting Sleepy....Very Sleepy
  • Stupid People
  • Jezebel and Ahab Make a Comeback
  • Stevie Ray Vaughn: Derivitive Hack or Genius
  • Music & Reminiscence
  • “The Giant Facebook Id-Monster Attacks”
  • “Bullshit...it’s a Damned Invasion!”
  • Bobby-Jack
  • Lowell George searching for authenticity
  • For The Love of Krazy Kat
  • How I Came To Understand That Fighting The Power Was Useless. Unless...You Fight The Power By Giving Power to The Power To Fight The Power
  • Within the Lifetime Of The Average American...The U.S. Population Could Realistically Exceed That of China & India
  • The Problem of Blasphemy In a Secular Society
  • The Waitress and The Power
  • A Message From The Democrats After The 2018 Midterms
  • On This Day Before Election Day, These 5 Things Should Be Remembered As You Vote
  • A Lie Is As Good As The Truth....as long as it's a good lie
  • "Evil Republicans Suppress The Minority Vote"
  • The Enemy of Mankind
  • The Mob
  • Why Chinese Tariffs?
  • A Caravan To Nowhere
  • Ant Farm
  • “They’re Coming For Your Social Security!”
  • The Witchfinder Speaketh
  • Eating Sawdust & Voting Democrat
  • Muslims Kill Washington Post Journalist”...and other stories best left untold
  • Orwell's Nightmare
  • The Sobbing Walrus
  • A Telling Lie
  • Tribal Marxism
  • A Pimp and His Stable of Political Whores
  • "Evidence?.... I Don't Need No Damned Evidence!"
  • A Post Modern Lynching
  • Talkin’ Blues: A White Social Justice Warrior Meets a Bluesman
  • Pocahontas Wants To Impeach President Trump
  • A Belated Tip of The Hat To John McCain's Funeral
  • "Colin Kaepernick Fights The Power. My Brothers!"
  • Jack Ryan: Promoting Jihad & The Brotherhood of Man
  • Rediscovering Willie "The Fruitbat" Johnson
  • The Allegation
  • Message in a Bottle
  • A Coven of Witches
  • The Communist & The Exalted Cyclops
  • America vs Satanic Goat Worshipers
  • Forcing Transgender Penis Cakes on America
  • The Iidots Lament
  • Irritating Post: no. 529
  • Irritating Post: no. 642
  • My Brain is a Liar
  • My New Rap "Alligators"
  • Helpful Hints in Logic
  • The Unredacted News
  • A Loss of Composure
  • The Myth of Objective Fact Checkers
  • Surviving Politics
  • The Pit or The Pendulum
  • Do Not Forsake Me. Not For a Dollar. Not For a Dime.
  • Repeller of The Amorites
  • Sometimes I feel Like a Motherless Child...but only sometimes
  • Welcome To The Freakshow
  • Part One: The Monster Is Summoned
  • A Sideways Glance at Reality....
  • The Ballad of Trey Gowdy
  • Lies, Spies, and Thighs at The FBI
  • The Ballad of Charlie Crockett
  • Children in Cages
  • A Poem For Clifford Odets
  • Anthony Bourdain
  • Like Billy Eckstein Singing to an Empty Club at 1:00 AM on a Saturday Night in 1975.
  • A Letter From The Democratic National Committee
  • Bent
  • "There Were No Spies in The FBI and Other Fictional Tales"
  • The New Rules For Radicals
  • Blood In The Water
  • "3000 American Businesses Colluded with Russia For Profit"
  • I Spy (For The FBI)
  • Free Shit—and Bears
  • Cute Dog Videos
  • How The Press Aided and Abetted Terrorists
  • The Iran Deal Myth
  • The Scouts
  • Pinko Muthafuckas
  • Kelly Joe Phelps
  • Johnny Winter and, 1970
  • Happy Days Are Here Again
  • RAGe Against The Machine
  • Carlos and Buddy
    • How The Bird & Darwin Took Flight With a A7#9 Chord
  • Just a Few Glaring Examples Of Media Scummery
  • They Call it Stormy Monday
  • "I Gotta Take A Wiz" or, "How Starbucks Destroyed the World"
  • Who Needs War?
  • Why The Devil Don't Come Around No More
  • 2+2 Really Does = 4
  • The Tangled Web
  • Shadow Banning
  • What Changed?
  • Oblivious But Concerned
  • "Give Up!"
  • Jesus: The Spirit of Man and God That Illuminates The Darkness
  • Mickey Baker: Goin' To Kansas City
  • "Washington Saves America from Pot-smoking Mass Murderers"
  • Nontraditional Thoughts
  • Attack of The Trillion Dollar Omnibus Bill
  • Hearing Junior Wells “On Tap'' one more Time
  • Just Words
  • Muddy and Me
  • Racist Debtaes About Terrorsim
  • Fidel's Utopia
  • Unwitting Hypocrisy is The Best Kind of Hypocrisy
  • Excess Baggage
  • Excess Baggage pt. 2
  • Fake News Is The New Real News
  • The Death of Billy Graham and Manufacturing Consent
  • American Youth: The Rise of The New Media
  • Rosencrantz and Guildenstern Talk About Slavery and Shit
  • Just Smoke
  • Monkey in a Box
  • How The Children of Sal and Dean Destroyed The World
  • On This Cold Winter's Morn
  • The Crime of the Century
  • Evidence: What The Hell Is It?
  • They Were Pissed: America, Jack Kerouac, and the Beats
  • Negotiating The Maze Of Life and a Blues Shuffle.
  • Everyone Is Hitler (In their own Way)
  • The Mystery of The Giant Balloon Shark
  • Subterfuge and Its Discontents
  • God Debunks Global Warming
  • Day Two: God Continues To Debunk Global Warming
  • Strzoking Russia
  • The Al Franken Effect. Or, How to Destroy America and Lose Elections
  • The Big Maybe
  • The News Apocalypse
  • The Guitarticle (Guitar article)
  • The Nation of Lucifer
  • Slurring Pocahontas
  • Why Everything Good Said About Net Neutrality is a Lie
  • .....and behold, The Cause of Your Demise Is Upon You
  • The Trans-boy That Cried Wolf
  • Believe Nothing
  • Donald Trump Blasts The Heads Off Of Tiny Woodland Creatures
  • The Problem of Hypocrites
  • Roy Moore: Serial Pervert
  • I'm So Frustrated
  • The Devil's Whisper
  • Science Can't Dance
  • You're Gonna Have To Serve Somebody
  • Louie C. K.
  • Common Sense
  • Hunting For Witches
  • Living in The Age of "tRump"
  • The Devil is a Hustler
  • The Skinny
  • Eric Dolphy
  • ISIS Rode in On a Donkey
  • "The Manafort Indictment"
  • The Truth About the Middle East
  • Dennis Budimer's "Alone Together" Revisited
  • The Halloween Edition
  • The 20th Century Was Groovy
  • The Salesman
  • The Dossier
  • Elmore James
  • Isle of The Poor
  • The Patriarchy is Alive and Well
  • Moving Napoleon
  • Guns and Guerrillas
  • Playing Four
  • Hollywood and Scumbags
  • Why Everything You Think, Is Wrong
  • Killing Yourself With Terrorism
  • Being Liberal
  • Laced With Hate
  • A Message From Occupy Democrats
  • A Taxing Dilemma
  • What Really Happened with Aid in Puerto Rico
  • Colin Kaepernick and Beyoncé are geniuses. Part 1
  • When the Levee Breaks
  • The Second Coming of Anthony Weiner
  • How to Never Lose a Fight
  • Creating Chaos out of Meaning
  • Crime and Punishment
  • The Man in the Mirror
  • Guitar Gods of the Sixties
  • Entopy: A Play in One Act
  • The Ragged Tale of a Poverty Stricken Economic Genius
  • The Dreamers
  • Hey There Georgy Girl
  • This Is Not a Defense of Joel Osteen. Or is it?
  • The Ballad of Poindexter Glockenspiel
  • The Big Dummy
  • More Florida in Pictures and Text
  • How Do I Hate Thee
  • Florida in Images and More Images
  • "How To Solve The Healthcare Crisis and Why It's So Damned Hard To Fix"
  • The Big Lie
  • The Demise of the West
  • “Good Times! Good Times! You know, we talkin’ bout Good Times!”
  • "Justice My Ass!"
  • Wolves in Sheep's Clothing
  • The Coming Apocalypse and How to Avoid it: a Historical/Biblical Perspective.
  • "Muthafuckin' Chains!"
  • Lies Our Father's Told Us
  • Poetry and Politics - a few mixed verses
  • The Inner Man
  • The Vampire and The Carpet Salesman
  • Comey Speaks!
  • A Word From Nostradamus about the Comey Hearings
  • The Towering Babble
  • Chain of Fools
  • I Got Ramblin' on My Mind
  • Telling Ourselves Stories
  • Shit! Make Me Wanna Holler!
  • Even More Reasons Why The Paris Accords are Total Horseshit.
  • When Life Imitates Satire
  • Jethro and Becky Sue Come To America
  • Random Apocrypha
  • Why The Paris Climate Accords Are Total Horseshit
  • Urban Stories
  • The Kingdom of God: a personal rant
  • Urban Week @ South Beach
  • Serpico Revisited
  • The Road To Surf-dumb. Or, is it The Road To Serfdom?
  • This is Not a Political Article
  • My Hometown
  • What Does This Mean?
  • We're All Fools Sometime
  • One Pill Makes You Larger
  • "What a Maroon!"
  • Secrets and Lies
  • A Tale of Wine and Murder
  • "White House Under Siege!"
  • The Amateur Narcissist
  • Like a Rock
  • The Greatest of Ally of a True Idiot is.....
  • How To Prove someone's a Witch
  • Jesus Was a Sly Dog
  • An Open Letter From The Democratic National Committee
  • The Power of Language
  • The Existential Croûton
  • Random Facebook Thoughts
  • A Play "The Poverty Racket"
  • The Demise of the 4th Estate
  • Love To Hate My Enemies
  • Feelings, Oh, Oh, Oh, Feelings
  • Art or Reality
  • The Prison Yard Blues
  • Who is Richard Spencer and Why Does He Matter?
  • __an excerpt from "The Power of Voltron "
  • A Plea From a Progressive
  • ANTIFA - The Anti Fascists, Fascists
  • Conspiracy Theory
  • 4 More Poems, 4 More Pictures
  • "Are You Freaking People Insane?"
  • 4 Pictures 4 Poems
  • The Ballad of Carlos Slim
  • Pretending What's in Your Head is True
  • The Cognitive Dissonance of a Faithful Democrat
  • The Human Snakepit
  • George Freeman - Unsung Master of the Jazz Guitar
  • The Price of Milk
  • Suspicious Minds
  • Bill O'Reilly Sexual Predator?
  • The New Soldier
  • Orwell Revisited
  • Larry Coryell - The Godfather is Dead
  • A Tiger Beat
  • South Florida - HOT & COOL
  • Jean Paul Sartre & the Existentialist Mojo
  • Culture Matters, Immigration Matters, Sharks Matter
  • Thomas Sowell
  • A Tree Falls In Central Park on a Gay Banker
  • Black Codes From The Underground
  • Does an Idiot know they're an Idiot?
  • A Poem for Pooh
  • It's All or Nothing Baby!
  • Racism is Alive and Well
  • "Shut the Hell Up!"
  • Jerry Seinfeld - Social Pariah
  • A Man Must Nurture His Pet Peeves
  • Not the Usual Immigration Article
  • Man Talk, with Donald Trump pt. 1
  • Man Talk, with Donald Trump pt. 2
  • The Bad Seed
  • Dogma Never Sleeps
  • Trump and Clinton Debate
  • Was Jesus a True Pacifist?
  • Brexit Was the Shot Heard Around the World
  • Obama, How Great Thou Art
  • War is Good
  • The Willful Ignorance of Intellectual Children
  • What about All Those Peacful Muslims?
  • Terror! What Terror?
  • Biff and Shorty Play The Blues
  • Forty Miles of Bad Road
  • How Obamacare Became the law of the land: And Other Fairytales for Adults
  • Genteel Republicans vs The Alt-Right
  • Should Drugs be Legal?
  • The Prophet Speaks
  • The Dream Sequence
  • Voting 3rd Party and the Moral Low-Ground
  • Sayonara America
  • What does Never Trump Mean?
  • Barack Obama is the Most Brilliant Man Ever to be President?
  • If God Created War, Does That Mean That War is Good?
  • Never Let Your Enemies Define You
  • Facebook, Science & Religion
  • Bullshit by the Numbers
  • Bullshit by the Numbers - part II
  • The Heated Quest for the "No Information Voter"
  • I Love The Dead
  • Those Who Lurk
  • Battered, Bruised and Beaten
  • Trump and Hitler
  • America in Black and White
  • Trans-Athletics
  • Playing a Rigged Game
  • Who was that Mass Murderer?
  • The Kidnappers
  • The Game
  • Terror in Nice: A Variation on a Theme
  • The Idiots Guide on How to Destory the World
  • Terror in France
  • A Fictional Conversation Between a Pastor and a Historian About the Bible
  • The Immoral Necessity for Scapegoats
  • Who Really Shot Those Eleven Cops? Was It Donald Trump?
  • Killer Cops and Cop Killers
  • Happy 4th of July
  • How Do You Cast Your Vote When You've Only Got a Few Bullets Left?
  • "Yes, She's a Lying Sack of Shit....but She's our Lying Sack of Shit."
  • All Apologies
  • Will the Real Jesus Please Stand Up
  • Goodbye Scotty Moore
  • If a Bluebird Plays the Blues Why Can't it Play Free Jazz
  • Terror in Turkey
  • When David Slew Goliath
  • The Life & Death of a Global Fat Cat
  • Intentionally Censoring the News
  • The Brits Leave the EU
  • Chick, Christian, Roy & Kenny G
  • Who Really Committed Mass Murder in Orlando
  • The Tale of the Prince and the Shrew
  • A Dying Father's Last Father's Day
  • Mass Murdering, Terrorist's Father is Obama and Hillary's Best Friend
  • Why Cream still Matters 50 Years Later
  • Misguided Anger and Partisan Politics
  • The Deep Guilt of the Religious Left
  • Radical Islam! What Radical Islam?
  • Denial is a River in Egypt
  • A Response to all the Haters
  • Why Muhammad Ali was my Hero (in spite of being a Racist)
  • Why Trump Matters
  • The New Progressive Racism
  • A Tragedy in Cincinnati
  • The Evil that Men do (Women too.)
  • Differences? What Differences?
  • Racism Revisited
  • Battling Immigration Straw Men
  • Blood Quantum
  • Fighting Transgender Straw Men
  • Logical Fallacies about God and Money
  • Progressive Straw Men
  • Everybody is Robbing You Blind
  • On The Road To El Donaldo
  • Dear Mark: About Donald Trump
  • Identifying the Enemy
  • Why I Will Vote For Trump
  • I Totally Agree With Myself
  • Teaching Americans Where to Pee
  • Goodbye Lonnie Mack
  • Bernie Wants You To Pay His Fair Share
  • Bruce Springsteen vs. North Carolina
  • Mr. Smiley Is an Idiot
  • Why Does College Cost So Much?
  • Black Power and Bad Vibes At Whiteness History Month
  • How Facebook Showed Me That We're Doomed
  • Muslims kill Muslims by means of White People
  • The Slap
  • America Wants a 3rd Party Candidate
  • Jesus Loved Everybody
  • Call it what it is.
  • Belgium vs. Turkey. Which One is Worse?
  • Barack, Fidel and Che
  • How He Gonna Get His Money pt. 2
  • How He Gonna Get His Money
  • The Turn of The Screw
  • Dear America: Now, about Trump....
  • The Attack of the Anti Trumpers
  • Did You Know that America is Socialism....and boy, ain't it Swell
  • Trump - Prophet or Blowhard?
  • Black Lies Matter, All Lies Matter
  • The Donald and the Debate
  • Leonardo and The Bear
  • The Thunder Rolled and the "Trump" Blows em all to Hell
  • Fragmented Fairytails
  • Cars That Never Were but Should've Been, Part 6
  • Building The Perfect Beast
  • America: A Tale of Two Cities, Part 1
  • Uncle Bernie in New Hampshire
  • The Big L
  • The Diary of a Former Leftist
  • Free Speech not Hate Speech?
  • State of the Union
  • Losing My Religion
  • Don't Take Our Guns Away Until We Kill Those Honky Bastards
  • Bye Bye Europe
  • "Trump is a Racist!"
  • "Hell Yeah! I've Got Obama Care!
  • Trumponomics
  • Woman of the Year
  • Malicious Intent and the Art of the Microaggression
  • Muslim No-Go Zones - Myth or Reality?
  • Donald J. Trump and the Muslim Migration to America
  • There Is No God But Allah?
  • Roadhouse - The Reboot
  • Sometimes You Just Can't Win
  • A Few Thoughts Regarding Trump
  • Cars That Never Were But Should've Been, Part 5
  • You Can Have My Steering Wheel When You Pry It From Cold, Daed Hands
  • The Great Debate
  • Al, Thomas and Paul - Malthusians Then and Now
  • A Prophet Debates Global Warming and other retated Dogma
  • Memes, Scapegoats, Propaganda
  • Little Hillary and Her Monsters
  • A Prophecy for America
  • The Basketball Metaphor
  • Vladimir Putin: An American Hero
  • Little Things
  • The Democrats Debate
  • It's All Ablout da Benjamins
  • Remember When?
  • Mass Shooter
  • Cars That Never Were But Should've Been: Part 4
  • Should A Muslim Be President in America?
  • The Strange Case of Ahmed Mohamed
  • Debt and Other Devious Angels
  • Bernie Sanders is Caesar not Jesus
  • An inconvenient Truth
  • Who's really a Native American?
  • The Rebirth of the Silent Majority
  • Money That's What I Want!
  • The Syrian Crisis and the Memeing of America
  • Why Societies Have Generally Valued Men More than Women
  • The Problem of Evil
  • A few Thoughts on a Few Things
  • The Authentic pose of a Black White Man
  • Sweden: Socialist Utopia or Progressive Madhouse?
  • Why Dogs Matter
  • Guilty Until Proven Innocent
  • Was Jesus a Socialist?
  • "The Donald" A Man for the Ages
  • Harvesting the Wheat - or - Karma's a Real Bitch
  • Cecil The Lion
  • Cars That Never Were but Should’ve Been, Part 3
  • Secrets and Lies
  • Can Minorities Be Racist?
  • I Was Just Thinking....Hmm?
  • Iran Deal - Good or Bad?
  • Jihad or Not Jihad? That is the Question.
  • "Let's Do Lunch" with Planned Parenthood
  • America The Contemptible
  • Marriage, Bigotry and Cooties
  • The Things We Care About
  • The Simplicity of it All
  • A Dissenting Opinion
  • Cars That Should've Been, But Never Were: part II
  • Live Now, Pay Later
  • I Am, Whatever I Say I Am!
  • Bernie Sanders is the Dumbest Bastard on Earth
  • Cars That Never Were But Should've Been
  • Bruce Jenner
  • The Good Society
  • A Personal Jesus For My Own
  • Take a Ride on a Hell Bound Train
  • Requiem For a Car Show
  • Obama Channels Neville Chamberlain in Dealing with Iran
  • The Short Life of a Political Lemming
  • The Strongman
  • The Broken Window
  • The Selective Outrage of The Anti Israel Left
  • When the Blind Lead the Blind
  • Top Brass With Class
  • Living In A world On Fire
  • Lying Liars and the Lies They Tell
  • What The Hell Is Esotericism?
  • Unicorns, Free Healthcare and other Mythological Creatures
  • Heroes and Dunces
  • A Few Thoughts On a Few Things
  • The Return Of Super Fly
  • Should You Ever Bet On A dead Horse?
  • Money For Nothing
  • Across The Great Divide
  • Tom, Jerry, Eddie & Sydney
  • The Folly of Foibles
  • Who really killed Eric Garner?
  • The Art of The Sale
  • Political Bullshit and All That Jazz
  • Oh, The Horror of It All
  • To Torture or Not To Torture, That is The Question
  • Selective Justice
  • Executive Action
  • Give Us Your Tired, Poor and Ambitious
  • Johnny Winter, Ahhh-Yeahh!
  • Homeless and Transgender "Let My People Pee!"
  • Are We Insane? You Betcha!
  • Ebola and Racism
  • You're a Racist, Just Admit It!
  • To Discriminate or Not to Discriminate, That is the Question
  • The Life of an Imaginary Historian
  • Why Most Debates About The Minimum Wage are Bullshit
  • The Return of the Infinite Monkeys
  • Politically Correct Genocide
  • Language and the illusion of Meaning
  • Obama vs. Reagan
  • Is Barack Obama our Most Successful President Ever?
  • White Racism Black Racism
  • The Race
  • Should People Be Free to Discriminate?
  • Science, Religion and Brother Neil
  • Welcome To America
  • The Reincarnation of Jimmy Carter and the Return of Scarface
  • SCOTUS, Condoms and Collateral Damage
  • The American Dream
  • Attack of the Bloated Leeches or "Why Does the Economy Suck pt. II"
  • Why Does the Economy Suck?
  • Jaco Pastorius - A Passage in Time
  • How can we save the world, from people who want to save the world?
  • A Short Political rant: pt I
  • Jerry Reed, Tom Jones and the Original Guitar Heroes
  • Part Two: The Politics of the Eloi and the Morlock
  • Angel: part 7
  • Wayne Cochran "Going Back to Miami"
  • Blessed Assurances and other Iron Clad Guarantees
  • James Brown & the Art of the Indefinite Rhythm
  • If the Bible Say's it, I believe It!
  • Go For a Jog, Go to Jail
  • Life as Theatre and The Well-Intended Sociopath
  • Rory Gallagher & Taste
  • Utopia and the Militant Socialist
  • Matt Damon & the Teachers Union vs. the Capitalist Pigs
  • The Fight of the Century
  • The Last Damned Healthcare Article You'll Ever Need
  • The Gospel According to Mark
  • You Might Be an Idiot if.....
  • How To Interpret Political Speech and other Forms of Gibberish
  • Polygamy and the Search For Morality
  • The "Big" Gulp
  • When a Lie is the Truth and the Truth is a Lie
  • Jim Hall - The Subtle Radical
  • Making Deals With the Devil in Iran
  • Dennis and Mary
  • Thank You Lord For the Good Things You have Done
  • Excersise In Futility
  • Is Obama The Antichrist?
  • The Case for Limited Government (and that includes a limited military)
  • The Weekly Southern Blog
  • Angel: part VI
  • The Esoteric Agenda
  • Ted Bundy & The Hunt For The Devil
  • Things I wish the President Knew Pt. 3
  • Really Now, I'm Syria
  • What Will You Do?
  • Charlie & Clint: Dead & Deader
  • God Loves Me and Has a Plan For My Life...Right?
  • Trayvon & George : An American Hate Story
  • Is God's Grace Ecclesiastical White-out?
  • Jury Duty
  • The Left's Contradictory Love Affair With Gays & Muslims
  • Hee Haw and Grandma and Grandpa
  • Little Tommy & The Blues Kings
  • Gay Marriage: Part II
  • Kayaking "The Big Cypress" with Crocodlies
  • The Birth of The Jazz Guitarist
  • Running With The Bullshit In Pamplona
  • Divided By Abortion
  • Gay Marriage
  • Life on the Fault-line
  • Out of the Wild
  • A Generation Out Of Touch
  • Morning Faith with a Cup of Joe
  • For The Children
  • Made up Facts & True Beliefs
  • The Unforgettable - Nat 'King' Cole
  • Slavery Was Big Business....and It Still Is!
  • Garage Band - The 1960's
  • A Man's Best Friend is his Dogma
  • Voting With Our Private Parts
  • Investors of the World, Unite
  • Good Intentions...bad results
  • The Plural of "You"
  • How to Get God to Give You What You Want: Redux
  • We Have Not Yet Begun To Fight
  • Polls–Divination or Manipulation?
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Charlie and Clint: Dead & Deader

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Men are men, but some men are more man than others.  We all know this, although we try to pretend otherwise.  We celebrate heroes, and sometimes villains who carve their place out of the hard life that is their unfortunate lot.  We especially admire those men who stare down the enemy with an iron-fisted resolve, asking no quarter and giving none in return.  Men who don’t pick fights, but are more than cable of finishing them.  This is never truer than when the odds move against them and they’re forced to play a hand that no man wants to be dealt.

I’m sure that such men exist, but I’ve never met one, although I have seen a few of these traits rise up, even in the meekest of men.  I have, however, seen their like on the big screen.  Oddly enough, even that is rarer than one might think. 

The original tough guy archetype has become increasingly rare as the demand for violence has upped the ante on heroism.  “If you can’t kill at least a hundred men what good are you?” 
has become the preferred modus operandi of a generation raised on video games.  This has been the “action hero” since Arnold Schwarzenegger and Sylvester Stallone created cartoon characters with an endless supply of quips and bullets.  Films like “High Noon” or “The Man Who Shot Liberty Valance,” by comparison, seem sedate.  Why write dialogue when you can have a script that says “…and then he pulls out a Gatling gun and kills fifty men while dodging a hail of machine gun fire by as many bad guys!”?   Apparently, logic doesn’t carry much weight, especially when it can be resolved by writing a scene that is limited only by the writer’s imagination.

It is my arcane belief that the closer you get to the truth, the more compelling the story and action.  Give the hero a genuine motive and a back story worth telling and you have the kind of stuff that drives the plot to another level.  That was the difference between the original “Die Hard” and its many sequels—and Steven Spielberg’s masterpiece “Jaws” and all of the other killer animal movies that followed.  It was also true of “Death Wish” which wasn't really an action film, but was a two-fisted commentary on the dissolution of American life in the 1970’s. That was the backdrop that gave the film its weight.   It was likewise true for another film of the same era “Dirty Harry,” which predated ‘Death Wish” by a few years.  Pauline Kael, the legendary critic for the New Yorker Magazine called it a “Fascist Masterpiece”
and she was right, even if she meant it as a back-handed compliment.  It was a response to the growing belief that justice was on the wane, reinforced by soaring crime statistics and ever-expanding laws designed to protect the guilty, not the innocent. If that isn't completely accurate, it was close enough for Americans worn down by war and social conflict on just about every front.

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In the late 1960s and '70s, America was at war both internally and externally.  Father was pitted against son, with families separated by a generation gap, a term coined to express the division between the WWII generation and their no good, draft dodging children—at least that was the older generation’s view of the younger.  As a member of that no good generation I remember arguing with my father, if we were so rotten, where did we learn it from?  Was it some biological predisposition towards anarchy?  Or is this what happens when people get enough power and education to ask questions,”You want me to go where, and kill who”?

American films increasingly began to reflect the culture and what they reflected wasn’t pretty.  Hollywood tried to keep it under wraps.  But you can only keep that kind of anger quiet for so long.  It was the end of the old Hollywood, the big budget musicals and Epics of the 1950’s, Technicolor, Cinemascope marvels were replaced by sepia-toned European cinema with hand held cameras, tight shots of naturally lit faces and amateur actors rounding out a cast of dozens, not thousands.   Cecil B. DeMille was dead and so was traditional movie making.

The gritty, small-time filmmakers who began their careers in the 1950s like Don Siegel, the director of "Dirty Harry," were perfect for this new approach.  Films shot quickly, with little artifice and a documentary-style look, pulp novel urgency, updated for a generation facing the draft and a potentially one-way ticket to Vietnam.  This was especially meaningful when the enemy was the broadly defined “Red Menace,” an ominous term used to identify godless communism.   Interestingly enough, capitalism was deftly putting God to death at about the same time. 
 

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Two of the greatest films of the period “Dirty Harry” and “Death Wish” tapped into that anger in a way that transcended generational bias—anger about failed government, the breakdown of the way of life that seemed only a decade before like utopia fulfilled, but now, seemed broken beyond repair. 

With fifty thousand Americans killed in Vietnam and millions more maimed showing up nightly on the television, thousands marching in the streets, African Americans burning cities in protest, women burning their bras, political assassinations, a president resigning in disgrace and much of his inner circle moving from the White House to the “Big House,” it was an anarchist's fantasy writ large.

Harry Callahan was the cop every law abiding American wanted as a guarantor against the bedlam, at least in the pinch. If he crossed the line (and sometimes completely obliterated it) that was okay, as long as that line had previously been clearly defined.  This appeared oxymoronic, but was intuited as correct deep in the recesses of the factory towns and on Mainstreet where hard working people expected safe streets and reasonably honest politicians.

In Death Wish, Bronson’s Paul Kersey was the model of the successful urban professional whose wealth had failed to insulate him from the rabble.  When the rich can’t find refuge, either revolution is at hand or the system has completely broken down.  Both were active agents in American life in the 1960s and '70s.  The American middle class watched incredulously as their children gleefully took a hatchet to the country's foundation.  For the wealthy, it was the Barbarians at the gate, Rome’s last gasp before the Hun pulled down the Senate.

Both Clint Eastwood and Charles Bronson were transitional figures between John Wayne and Stallone and Schwarzenegger, emerging at a time when television had substantially diminished the economic clout of the film business.  The movie palaces that were on nearly every corner began shutting their doors and were replaced by television.  Audiences, looking for new thrills, eventually found violence and nudity suitable substitutes for biblical epics and big budget musicals. The end of the “Production Code” that had governed movies since 1934 was done away with in 1968 and, in a few short years, violence and sex permeated the cinematic experience.  I can remember seeing “Deep Throat” in a mainstream theater in 1973 with a packed audience, and believe me, it wasn't the raincoat crowd that filled the theater, but respectable husbands and wives.  At least they gave the appearance of respectability in the dark.

Eastwood and Bronson were dominant figures at the box office in the 1970’s and at one point Charles Bronson, the least likely leading man, possibly in the history of film up to that point, became the biggest  star in the world.   Both made a number of films that maintain their power forty years later.  In fact, some of their best work seems more like European-produced Art House cinema, than anything made today—minus the substantial body count, of course.
 

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Bronson’s “Hard Times” is, according to many critics and fight aficionados alike, the greatest fight film ever made—a masterful slice of life character study of the male myth told with few words and relatively modest, but beautifully directed action sequences.  Bronson completely embodies the role with a lithe, athletic physicality and a spare acting style, playing a variation on the lone gunfighter, only it’s his fists that are the weapon of choice.  Combined with a face that looked like it was carved from stone, better suited to horror movies than leading men, Bronson made the story believable in a way I’m not sure any other actor could.  It also has James Coburn in one of the finest performances of his career as the apex smart-ass who lives at the cross section where the low-life and the swells intersect.  Another of the constants of 1960s and '70s cinema rounding out the cast is the consummate character actor, Strother Martin.  A few of the films that Martin appeared in "Cool Hand Luke," "True Grit," "The Wild Bunch," "Butch Cassidy and the Sundance Kid," were among the best films of the era.  He elevated even marginal roles with an often seething, understated menace, tinged with a comedic element, imbuing his parts, no matter how small, with far more detail than was written on the page. 

Some critics have suggested that Bronson in "Hard Times" is the every-man; dock worker, blue collar laborer, field hand, whatever, making it a kind of socialists homage to the hard scrabble existence that molds hard men for hard times.  Where there may be a hint of truth in the idea, the film is really about the beauty of "genius".  Bronson's character, "Chaney," is a rare and true artist working in the most primal of mediums.  He is what every man, despite their pleas to the contrary, wants to be.  He is the lone figure, self-reliant, with a moral base, who is indifferent to other peoples' perception of him.  He needs no external source to elevate his worth, and when everything else is stripped away, he is the best of the best at what Darwin tells us is man's purpose, a survivor, the last man standing who can do what needs to be done and then quietly wipe off the sweat and walk away.  

The worth of the film isn't found in its dialogue, which works at a reasonably high level.  But the decision to let the story and the perfectly-cast ensemble of actors embody their characters while the camera tracks their movement, allowing the shot to capture the action and the environment that is it's strength.  It is the sum of its various parts that makes it a great movie. 

In the late 1960’s the anti-hero replaced the hero as the central figure in movies, one that first emerged in the work of Marlon Brando in the 1950’s, before James Dean, Elvis or rock and roll.  By the late 1960’s what had been the anomaly for leading men became the norm—the outsider, the man on the margins, motivated by complex internal drives, neither good or bad was the center of a growing moral ambiguity in film.

Clint Eastwood’s “High Plains Drifter” rewrote Fred Zinnemann’s classic western “High Noon” reinterpreting the political elements in the film, upending the western myth as a nihilistic revenge epic.  Like its predecessor, it was hated by John Wayne, who saw the film as rewriting American history.  It was a dark, violent, iconoclastic film that had no heroes, at least none in the archetypal mold of Hollywood’s heyday.

Charles Bronson’s film “The Mechanic” had a Mafia hit-man as a lead.  Not a misguided thug who finds out he has a heart of gold and is somehow redeemed, or a raging sociopath, but a man who views professional murder as a meaningful form of  intellectual self-expression. 

By the 1980’s both Eastwood and Bronson’s career had begun to stall.  Eastwood continued to make some decent films, but increasingly moved to directing.  Bronson made a number of mediocre and sub-par films, including numerous “Death Wish" sequels.   But the real downfall came when Steven Spielberg’s film "Jaws" broke all records and George Lucas revived the Saturday afternoon serialized matinee as a big budget, effects heavy, Cowboys and Indians in outer space epic with “Star Wars.”  Audiences once again bought tickets in huge numbers and made the big budget action film with clear-cut good guys and bad guys highly profitable.  Sylvester Stallone drove the final nail in the coffin with “Rocky.”  

Even after the reemergence of the summer blockbuster, the big movie palaces never returned, they were replaced by Cineplex’s, with smaller screens, inflated ticket prices and cramped seating.  It is likely, now, that even these will begin to disappear as home theaters become cheaper and the internet finally gives everything away for free, or something close to it.

The movies, however, will never really go away.  They will change as technology changes.  Budding filmmakers with affordable cameras and computer technology will reinvent the form yet again.  Big pictures will still be made, although, probably, less often.  Small films will inundate the various emerging venues, the new guard will replace the old, plenty of rotten films will hit the market, idiots will be hailed as geniuses, but there will, no doubt, be some authentic ones as well.  The cartoon facsimiles will eventually give way to a grittier reality and the "real man" will have his day once again.  Until then, Charlie and Clint will do just fine. 


Mark Magula

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Charlie & Clint: Dead & Deader