WEEKLY SOUTHERN ARTS
"Sometime the boogaloo 
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  • Me and Junior Parker
  • The Republican
  • Sweet Home Chicago (The Obama Shakedown)
  • The Ballad of Hunter & Joe
  • The 22-yr-old Bottle Blonde
  • Is It Alright...To Be White?
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  • Lowell George searching for authenticity
  • A Telling Lie
  • Part One: The Monster Is Summoned
  • Like Billy Eckstein Singing to an Empty Club at 1:00 AM on a Saturday Night in 1975.
  • Bent
  • Kelly Joe Phelps
  • Why The Devil Don't Come Around No More
  • Hearing Junior Wells “On Tap'' one more Time
  • Muddy and Me
  • Unwitting Hypocrisy is The Best Kind of Hypocrisy
  • Excess Baggage
  • Excess Baggage pt. 2
  • Fake News Is The New Real News
  • The Death of Billy Graham and Manufacturing Consent
  • American Youth: The Rise of The New Media
  • Rosencrantz and Guildenstern Talk About Slavery and Shit
  • Just Smoke
  • Monkey in a Box
  • How The Children of Sal and Dean Destroyed The World
  • On This Cold Winter's Morn
  • The Crime of the Century
  • Evidence: What The Hell Is It?
  • They Were Pissed: America, Jack Kerouac, and the Beats
  • Negotiating The Maze Of Life and a Blues Shuffle.
  • Everyone Is Hitler (In their own Way)
  • The Mystery of The Giant Balloon Shark
  • Subterfuge and Its Discontents
  • God Debunks Global Warming
  • Day Two: God Continues To Debunk Global Warming
  • Strzoking Russia
  • The Al Franken Effect. Or, How to Destroy America and Lose Elections
  • The Big Maybe
  • The News Apocalypse
  • The Guitarticle (Guitar article)
  • The Nation of Lucifer
  • Slurring Pocahontas
  • Why Everything Good Said About Net Neutrality is a Lie
  • .....and behold, The Cause of Your Demise Is Upon You
  • The Trans-boy That Cried Wolf
  • Believe Nothing
  • Donald Trump Blasts The Heads Off Of Tiny Woodland Creatures
  • The Problem of Hypocrites
  • Roy Moore: Serial Pervert
  • I'm So Frustrated
  • The Devil's Whisper
  • Science Can't Dance
  • You're Gonna Have To Serve Somebody
  • Louie C. K.
  • Common Sense
  • Hunting For Witches
  • Living in The Age of "tRump"
  • The Devil is a Hustler
  • The Skinny
  • Eric Dolphy
  • ISIS Rode in On a Donkey
  • "The Manafort Indictment"
  • The Truth About the Middle East
  • Dennis Budimer's "Alone Together" Revisited
  • The Halloween Edition
  • The 20th Century Was Groovy
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  • Elmore James
  • Isle of The Poor
  • The Patriarchy is Alive and Well
  • Moving Napoleon
  • Guns and Guerrillas
  • Playing Four
  • Hollywood and Scumbags
  • Why Everything You Think, Is Wrong
  • Killing Yourself With Terrorism
  • Being Liberal
  • Laced With Hate
  • A Message From Occupy Democrats
  • A Taxing Dilemma
  • What Really Happened with Aid in Puerto Rico
  • Colin Kaepernick and Beyoncé are geniuses. Part 1
  • When the Levee Breaks
  • The Second Coming of Anthony Weiner
  • How to Never Lose a Fight
  • Creating Chaos out of Meaning
  • Crime and Punishment
  • The Man in the Mirror
  • Guitar Gods of the Sixties
  • Entopy: A Play in One Act
  • The Ragged Tale of a Poverty Stricken Economic Genius
  • The Dreamers
  • Hey There Georgy Girl
  • This Is Not a Defense of Joel Osteen. Or is it?
  • The Ballad of Poindexter Glockenspiel
  • The Big Dummy
  • More Florida in Pictures and Text
  • How Do I Hate Thee
  • Florida in Images and More Images
  • "How To Solve The Healthcare Crisis and Why It's So Damned Hard To Fix"
  • The Big Lie
  • The Demise of the West
  • “Good Times! Good Times! You know, we talkin’ bout Good Times!”
  • "Justice My Ass!"
  • Wolves in Sheep's Clothing
  • The Coming Apocalypse and How to Avoid it: a Historical/Biblical Perspective.
  • "Muthafuckin' Chains!"
  • Lies Our Father's Told Us
  • Poetry and Politics - a few mixed verses
  • The Inner Man
  • The Vampire and The Carpet Salesman
  • Comey Speaks!
  • A Word From Nostradamus about the Comey Hearings
  • The Towering Babble
  • Chain of Fools
  • I Got Ramblin' on My Mind
  • Telling Ourselves Stories
  • Shit! Make Me Wanna Holler!
  • Even More Reasons Why The Paris Accords are Total Horseshit.
  • When Life Imitates Satire
  • Jethro and Becky Sue Come To America
  • Random Apocrypha
  • Why The Paris Climate Accords Are Total Horseshit
  • Urban Stories
  • The Kingdom of God: a personal rant
  • Urban Week @ South Beach
  • Serpico Revisited
  • The Road To Surf-dumb. Or, is it The Road To Serfdom?
  • This is Not a Political Article
  • My Hometown
  • What Does This Mean?
  • We're All Fools Sometime
  • One Pill Makes You Larger
  • "What a Maroon!"
  • Secrets and Lies
  • A Tale of Wine and Murder
  • "White House Under Siege!"
  • The Amateur Narcissist
  • Like a Rock
  • The Greatest of Ally of a True Idiot is.....
  • How To Prove someone's a Witch
  • Jesus Was a Sly Dog
  • An Open Letter From The Democratic National Committee
  • The Power of Language
  • The Existential Croûton
  • Random Facebook Thoughts
  • A Play "The Poverty Racket"
  • The Demise of the 4th Estate
  • Love To Hate My Enemies
  • Feelings, Oh, Oh, Oh, Feelings
  • Art or Reality
  • The Prison Yard Blues
  • Who is Richard Spencer and Why Does He Matter?
  • __an excerpt from "The Power of Voltron "
  • A Plea From a Progressive
  • ANTIFA - The Anti Fascists, Fascists
  • Conspiracy Theory
  • 4 More Poems, 4 More Pictures
  • "Are You Freaking People Insane?"
  • 4 Pictures 4 Poems
  • The Ballad of Carlos Slim
  • Pretending What's in Your Head is True
  • The Cognitive Dissonance of a Faithful Democrat
  • The Human Snakepit
  • George Freeman - Unsung Master of the Jazz Guitar
  • The Price of Milk
  • Suspicious Minds
  • Bill O'Reilly Sexual Predator?
  • The New Soldier
  • Orwell Revisited
  • Larry Coryell - The Godfather is Dead
  • A Tiger Beat
  • South Florida - HOT & COOL
  • Jean Paul Sartre & the Existentialist Mojo
  • Culture Matters, Immigration Matters, Sharks Matter
  • Thomas Sowell
  • A Tree Falls In Central Park on a Gay Banker
  • Black Codes From The Underground
  • Does an Idiot know they're an Idiot?
  • A Poem for Pooh
  • It's All or Nothing Baby!
  • Racism is Alive and Well
  • "Shut the Hell Up!"
  • Jerry Seinfeld - Social Pariah
  • A Man Must Nurture His Pet Peeves
  • Not the Usual Immigration Article
  • Man Talk, with Donald Trump pt. 1
  • Man Talk, with Donald Trump pt. 2
  • The Bad Seed
  • Dogma Never Sleeps
  • Trump and Clinton Debate
  • Was Jesus a True Pacifist?
  • Brexit Was the Shot Heard Around the World
  • Obama, How Great Thou Art
  • War is Good
  • The Willful Ignorance of Intellectual Children
  • What about All Those Peacful Muslims?
  • Terror! What Terror?
  • Biff and Shorty Play The Blues
  • Forty Miles of Bad Road
  • How Obamacare Became the law of the land: And Other Fairytales for Adults
  • Genteel Republicans vs The Alt-Right
  • Should Drugs be Legal?
  • The Prophet Speaks
  • The Dream Sequence
  • Voting 3rd Party and the Moral Low-Ground
  • Sayonara America
  • What does Never Trump Mean?
  • Barack Obama is the Most Brilliant Man Ever to be President?
  • If God Created War, Does That Mean That War is Good?
  • Never Let Your Enemies Define You
  • Facebook, Science & Religion
  • Bullshit by the Numbers
  • Bullshit by the Numbers - part II
  • The Heated Quest for the "No Information Voter"
  • I Love The Dead
  • Those Who Lurk
  • Battered, Bruised and Beaten
  • Trump and Hitler
  • America in Black and White
  • Trans-Athletics
  • Playing a Rigged Game
  • Who was that Mass Murderer?
  • The Kidnappers
  • The Game
  • Terror in Nice: A Variation on a Theme
  • The Idiots Guide on How to Destory the World
  • Terror in France
  • A Fictional Conversation Between a Pastor and a Historian About the Bible
  • The Immoral Necessity for Scapegoats
  • Who Really Shot Those Eleven Cops? Was It Donald Trump?
  • Killer Cops and Cop Killers
  • Happy 4th of July
  • How Do You Cast Your Vote When You've Only Got a Few Bullets Left?
  • "Yes, She's a Lying Sack of Shit....but She's our Lying Sack of Shit."
  • All Apologies
  • Will the Real Jesus Please Stand Up
  • Goodbye Scotty Moore
  • If a Bluebird Plays the Blues Why Can't it Play Free Jazz
  • Terror in Turkey
  • When David Slew Goliath
  • The Life & Death of a Global Fat Cat
  • Intentionally Censoring the News
  • The Brits Leave the EU
  • Chick, Christian, Roy & Kenny G
  • Who Really Committed Mass Murder in Orlando
  • The Tale of the Prince and the Shrew
  • A Dying Father's Last Father's Day
  • Mass Murdering, Terrorist's Father is Obama and Hillary's Best Friend
  • Why Cream still Matters 50 Years Later
  • Misguided Anger and Partisan Politics
  • The Deep Guilt of the Religious Left
  • Radical Islam! What Radical Islam?
  • Denial is a River in Egypt
  • A Response to all the Haters
  • Why Muhammad Ali was my Hero (in spite of being a Racist)
  • Why Trump Matters
  • The New Progressive Racism
  • A Tragedy in Cincinnati
  • The Evil that Men do (Women too.)
  • Differences? What Differences?
  • Racism Revisited
  • Battling Immigration Straw Men
  • Blood Quantum
  • Fighting Transgender Straw Men
  • Logical Fallacies about God and Money
  • Progressive Straw Men
  • Everybody is Robbing You Blind
  • On The Road To El Donaldo
  • Dear Mark: About Donald Trump
  • Identifying the Enemy
  • Why I Will Vote For Trump
  • I Totally Agree With Myself
  • Teaching Americans Where to Pee
  • Goodbye Lonnie Mack
  • Bernie Wants You To Pay His Fair Share
  • Bruce Springsteen vs. North Carolina
  • Mr. Smiley Is an Idiot
  • Why Does College Cost So Much?
  • Black Power and Bad Vibes At Whiteness History Month
  • How Facebook Showed Me That We're Doomed
  • Muslims kill Muslims by means of White People
  • The Slap
  • America Wants a 3rd Party Candidate
  • Jesus Loved Everybody
  • Call it what it is.
  • Belgium vs. Turkey. Which One is Worse?
  • Barack, Fidel and Che
  • How He Gonna Get His Money pt. 2
  • How He Gonna Get His Money
  • The Turn of The Screw
  • Dear America: Now, about Trump....
  • The Attack of the Anti Trumpers
  • Did You Know that America is Socialism....and boy, ain't it Swell
  • Trump - Prophet or Blowhard?
  • Black Lies Matter, All Lies Matter
  • The Donald and the Debate
  • Leonardo and The Bear
  • The Thunder Rolled and the "Trump" Blows em all to Hell
  • Fragmented Fairytails
  • Cars That Never Were but Should've Been, Part 6
  • Building The Perfect Beast
  • America: A Tale of Two Cities, Part 1
  • Uncle Bernie in New Hampshire
  • The Big L
  • The Diary of a Former Leftist
  • Free Speech not Hate Speech?
  • State of the Union
  • Losing My Religion
  • Don't Take Our Guns Away Until We Kill Those Honky Bastards
  • Bye Bye Europe
  • "Trump is a Racist!"
  • "Hell Yeah! I've Got Obama Care!
  • Trumponomics
  • Woman of the Year
  • Malicious Intent and the Art of the Microaggression
  • Muslim No-Go Zones - Myth or Reality?
  • Donald J. Trump and the Muslim Migration to America
  • There Is No God But Allah?
  • Roadhouse - The Reboot
  • Sometimes You Just Can't Win
  • A Few Thoughts Regarding Trump
  • Cars That Never Were But Should've Been, Part 5
  • You Can Have My Steering Wheel When You Pry It From Cold, Daed Hands
  • The Great Debate
  • Al, Thomas and Paul - Malthusians Then and Now
  • A Prophet Debates Global Warming and other retated Dogma
  • Memes, Scapegoats, Propaganda
  • Little Hillary and Her Monsters
  • A Prophecy for America
  • The Basketball Metaphor
  • Vladimir Putin: An American Hero
  • Little Things
  • The Democrats Debate
  • It's All Ablout da Benjamins
  • Remember When?
  • Mass Shooter
  • Cars That Never Were But Should've Been: Part 4
  • Should A Muslim Be President in America?
  • The Strange Case of Ahmed Mohamed
  • Debt and Other Devious Angels
  • Bernie Sanders is Caesar not Jesus
  • An inconvenient Truth
  • Who's really a Native American?
  • The Rebirth of the Silent Majority
  • Money That's What I Want!
  • The Syrian Crisis and the Memeing of America
  • Why Societies Have Generally Valued Men More than Women
  • The Problem of Evil
  • A few Thoughts on a Few Things
  • The Authentic pose of a Black White Man
  • Sweden: Socialist Utopia or Progressive Madhouse?
  • Why Dogs Matter
  • Guilty Until Proven Innocent
  • Was Jesus a Socialist?
  • "The Donald" A Man for the Ages
  • Harvesting the Wheat - or - Karma's a Real Bitch
  • Cecil The Lion
  • Cars That Never Were but Should’ve Been, Part 3
  • Secrets and Lies
  • Can Minorities Be Racist?
  • I Was Just Thinking....Hmm?
  • Iran Deal - Good or Bad?
  • Jihad or Not Jihad? That is the Question.
  • "Let's Do Lunch" with Planned Parenthood
  • America The Contemptible
  • Marriage, Bigotry and Cooties
  • The Things We Care About
  • The Simplicity of it All
  • A Dissenting Opinion
  • Cars That Should've Been, But Never Were: part II
  • Live Now, Pay Later
  • I Am, Whatever I Say I Am!
  • Bernie Sanders is the Dumbest Bastard on Earth
  • Cars That Never Were But Should've Been
  • Bruce Jenner
  • The Good Society
  • A Personal Jesus For My Own
  • Take a Ride on a Hell Bound Train
  • Requiem For a Car Show
  • Obama Channels Neville Chamberlain in Dealing with Iran
  • The Short Life of a Political Lemming
  • The Strongman
  • The Broken Window
  • The Selective Outrage of The Anti Israel Left
  • When the Blind Lead the Blind
  • Top Brass With Class
  • Living In A world On Fire
  • Lying Liars and the Lies They Tell
  • What The Hell Is Esotericism?
  • Unicorns, Free Healthcare and other Mythological Creatures
  • Heroes and Dunces
  • A Few Thoughts On a Few Things
  • The Return Of Super Fly
  • Should You Ever Bet On A dead Horse?
  • Money For Nothing
  • Across The Great Divide
  • Tom, Jerry, Eddie & Sydney
  • The Folly of Foibles
  • Who really killed Eric Garner?
  • The Art of The Sale
  • Political Bullshit and All That Jazz
  • Oh, The Horror of It All
  • To Torture or Not To Torture, That is The Question
  • Selective Justice
  • Executive Action
  • Give Us Your Tired, Poor and Ambitious
  • Johnny Winter, Ahhh-Yeahh!
  • Homeless and Transgender "Let My People Pee!"
  • Are We Insane? You Betcha!
  • Ebola and Racism
  • You're a Racist, Just Admit It!
  • To Discriminate or Not to Discriminate, That is the Question
  • The Life of an Imaginary Historian
  • Why Most Debates About The Minimum Wage are Bullshit
  • The Return of the Infinite Monkeys
  • Politically Correct Genocide
  • Language and the illusion of Meaning
  • Obama vs. Reagan
  • Is Barack Obama our Most Successful President Ever?
  • White Racism Black Racism
  • The Race
  • Should People Be Free to Discriminate?
  • Science, Religion and Brother Neil
  • Welcome To America
  • The Reincarnation of Jimmy Carter and the Return of Scarface
  • SCOTUS, Condoms and Collateral Damage
  • The American Dream
  • Attack of the Bloated Leeches or "Why Does the Economy Suck pt. II"
  • Why Does the Economy Suck?
  • Jaco Pastorius - A Passage in Time
  • How can we save the world, from people who want to save the world?
  • A Short Political rant: pt I
  • Jerry Reed, Tom Jones and the Original Guitar Heroes
  • Part Two: The Politics of the Eloi and the Morlock
  • Angel: part 7
  • Wayne Cochran "Going Back to Miami"
  • Matt Damon & the Teachers Union vs. the Capitalist Pigs
  • The Last Damned Healthcare Article You'll Ever Need
  • The Gospel According to Mark
  • Angel: part VI
  • Ted Bundy & The Hunt For The Devil
  • Charlie & Clint: Dead & Deader
  • Trayvon & George : An American Hate Story
  • Jury Duty
  • Little Tommy & The Blues Kings
  • Kayaking "The Big Cypress" with Crocodlies
  • The Birth of The Jazz Guitarist
  • Gay Marriage
  • Garage Band - The 1960's
  • King Arthur, Pelagius and Original Sin
  • The Story of Ricky
  • In the News and on the Web
  • When is a Horse not a Horse
  • Hidden Miami
  • I Hate the 60's: A Personal Rock Odyssey
  • Crocodiles and Alligators in Florida: Monsters in our Backyard
  • The Legend of Robert Pete Williams
  • Saturday Night At Big Tinys
  • The Mad Hatter and the Tea Party
  • The Case Of The Infinite Monkeys
  • The American Heritage Series
  • Here Comes the Sun
  • The Moon Is a Harsh Mistress
  • Blue And Green
  • Mundi's, a Love Story


The War For The Soul of Mankind: “Stan Getz vs Eric Dolphy”

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(The War for the Soul of Mankind: “Stan Getz vs Eric Dolphy”

White critics tend to love free jazz. Black critics, too. Not all, but more than a few. Especially, when you’re talking about jazz critics. Jazz is elitist music. But it wasn’t always that way.

Jazz was America’s popular music prior to the emergence of rock & roll in the 1950s. Although, both rock critics and jazz critics would almost certainly argue about what constitutes “Real” jazz or “Real” rock & roll. Or, what constitutes free jazz—including, which musicians and music matter most? And, you’d better not argue. Because they know. Or, at least, they think they do.

In reality, these deeply entrenched opinions aren’t just particular to music. Exactly the same kinds of arguments can be found in baseball, golf, painting, poetry, biblical theology, Quantum theory, you name it, and people are debating, arguing about what matters most and why. And they are likely doing it with as much piss and vinegar as any priest or prophet. Often, as though their lives depended on it. Probably, because when all the difficulties that have gripped humans throughout history; war, pestilence, hunger, political tyranny, a decent place to live, including cable TV—and, let’s not forget, some very necessary Internet—once these things are taken care of, who swings the most, musically speaking, and who played what solo on what date, can take on major significance. Not unlike theologians parsing doctrines and splitting hairs so fine, they can’t be seen with the naked eye. Free jazz vs old-school swing...that’s what really matters. If racial issues are involved, all the better. Now you’ve got the makings of a good conflict, a way to define yourself. A milieu. By comparison, everything else pales, evaporating into the ether. And, if it isn’t jazz that’s being argued about, it’s who was better, Mickey Mantle or Mike Trout. (Mike who?)

Then there are religious debates; what St. Paul actually meant? Was he really the first Calvinist? Is God a Calvinist? Who would win in a fight, Martin Luther or Martin Luther King? You could go on forever. For the jazz neophyte or the aging connoisseur, the question of who was more significant, Eric Dolphy or Stan Getz, for instance, can take on seismic cultural importance, with critics revisiting the same arguments, decade after decade, as though no time had passed from which to extricate ourselves from such monumental concerns. In other words, it’s never just about the music, religion or politics. Because none of us experiences any of these things like smooth-brained newborns, unencumbered by cultural and personal bias.

There are multiple ways that you can see these debates; as a way of working thru complex ideas; as a way of learning to reason; as a way utilizing cultural symbols, which convey deeper social meaning; as signposts for future generations, so they too, can negotiate the culture and its evolution. In that sense, these debates have broad significance, well beyond the actual disciplines.

What we’re really talking about are languages, which have their own rules and value systems, teaching us to define what matters and how to order our thinking about overlapping social movements. Finding our place in that social order, then, as we search for models for our own behavior, is of no small importance. The real problems begin when we conflate personal preference and symbolism with reality, as is the case with artistic considerations, which are substantially subjective, unlike biology or mathematics, for instance.

Now, let me ask, who would win in a fight, a grizzly bear or a gorilla? This probably seems little more than a child’s point of fascination. It’s still, fascinating, regardless, even for an adult. It’s significant beyond the silliness of the question because of the social interaction, which challenges us to order our thinking and learn to debate—and, also, which we're prone to identify with, the grizzly bear or the gorilla. In our mind’s eye, this is important.

To return to the question of who was more important, in jazz terms, Eric Dolphy or Stan Getz?— it depends completely on the terms of the debate. Getz sold a lot more records. Getz was also a pioneer in the emergence of East coast “Cool Jazz,” even if he wasn’t a pioneer in quite the same way as Eric Dolphy.

Race played a role in both of their successes. Dolphy’s radicalism as a post-bop, free jazz musician, with roots in the tradition, was, at the time, cutting-edge, opening doors and redefining what could still be thought of as jazz, and, whether atonal music was real music and not just noise?

There’s a fascinating interview with Dolphy and jazz critic/writer/musician Leonard Feather from the early 1960s. Feather asks Dolphy how he approached improvisation, in particular, how he approached playing “Outside” or playing “Free,” without ignoring traditional chord/scale/ relationships. Dolphy offers a mumbling response about playing a half-step above or below and altered harmony. Feather then says, “You can’t just playing anything. There has to be some form. Some rules.” This is a paraphrase, mind you. What Dolphy should’ve said was “Why not? Why can’t I play whatever I want, whether it’s inside the chord or not, like a classical composer? Or, a painter like Picasso. Or, maybe, a playwright like Samuel Beckett?” But all of these ideas were new, then, and few had spilled out into the popular consciousness. Just listen to Leonard Bernstein’s score for West Side Story, there’s dissonance aplenty. The fact that Bernstein wrote it down, instead of improvising it, shouldn’t matter, especially, when you consider that Bernstein’s score used modern jazz and classical music as its base. Hell, I was watching a modestly budgeted film noir thriller from 1952 about a serial killer. The score was thoroughly modern, filled with complex rhythms and dissonances, years before Ornette Coleman and Free Jazz, which isn’t meant to be unnecessarily competitive—modern jazz vs modern classical music vs film music, etc… They’re all music. The differences are precisely what makes music and art interesting.  Art-forms generally come with well-codified rules, and the ability to negotiate those rules is, often, how the critic determines an artist's worth. 

​It should be obvious that a lot has changed in the last 60 years or so.

Likewise, Stan Getz financial success, enabled other artists to be recorded across the spectrum, as young and old alike used Getz’ music as a springboard to fame and fortune, as well as a pathway to musicians like Miles Davis, Eric Dolphy, and John Coltrane.

​The question of lyricism vs atonality was never really much of a debate, anyway, since classical music had already opened that door wide with Charles Ives and Stravinsky, among others, decades earlier. In truth, without both, the traditionally lyrical and swinging, and, the energy and drive of free jazz and modern art, the music would’ve been rendered a museum piece, with no immediate or lasting cultural significance.

The differing racial makeup of the two also helped to broach the uncomfortable subject of race in the public sphere, as both men echoed different parts of the culture, with somewhat different audiences. Although, again, there was substantial overlap. Ask any serious jazz musician or fan about either man and you’ll find there is plenty of room to appreciate both. The concept of “Either/Or,” isn’t art. It’s politics. The struggle for turf. A dispute to see who controls the territory.

Eric Dolphy’s radicalism better expressed America’s cultural and racial divide, signifying the emerging political chaos and backlash. It still does, and, is probably why so many people are drawn to it 55 years after his death. Dolphy’s music, like all demanding art, transcends the relentless sameness of popular culture, offering a different path for the creative artist and adventurous listener.

Meanwhile, Stan Getz’ music gently swung the bossa nova for the old and young, who found new rhythms and sounds that could and did draw them deeper into the music. The money that Getz made for himself and the record labels, as well as other musicians around the world, by popularizing a new musical form, put food on the table, drew listeners to concert halls and clubs, to radio and TV, all of which had real-world significance, beyond the purely aesthetic considerations. Try paying the bills without financial success, regardless of the medium, and you’ll see what I mean.

Of course, Stan Getz was a good deal more than a prime mover in the wide-scale acceptance of bossa nova. He was also a potent, swinging improviser, from Woody Herman’s big band to small combos, with a beautiful Lester Young-influenced tone that worked everywhere, and in almost any context. Stan Getz was a gifted musical improviser and stylist who’s music continued to change. He even adopted some of “The New Thing,” which artists like Dolphy and Ornette Coleman represented, if only in small measure.

Like all human endeavor, our good intentions seldom ever live up to our expectations. The same instinct that allows us to survive and thrive everywhere as a species, also means we have sharpened predatory instincts. And, based on the world that we live in, we wouldn’t survive for long if we didn’t. That’s why we have turf wars, whether political in nature or musical.

The strong survive, while the weak get kicked off the bandstand, and the music and culture move on.

For the sake of us all.  May it always be so.

​Mark Magula